The Worthless World

Stories that are at their core cynical about the world present two different visions. The first is a vision of a world without heroes. The second is a vision of a world that doesn’t deserve heroes. These visions may easily be combined and sometimes are, but each can and does go alone, too. Together or alone, they weave an inescapable cynicism into the fabric of their stories.

I thought of that last weekend, prompted by the new season of A Series of Unfortunate Events. (Flash review: The good news is that they remedy some of the flaws of the first season; the bad news is that they replace them with new flaws.) Once doomed to unfortunate events by the malignancy and incompetence of individuals, the Baudelaires are now doomed to unfortunate events by the malignancy and incompetence of institutions. Every pillar of society crumbles when the children try to lean on it: the school, the law, the government, the free press.

It’s not that the institutions are broken. It’s that people are so stupid and savage, and nothing is worse than a crowd of them. A whole town melts into a ruthless mob; an entire hospital’s staff can evidently believe that decapitation is a legitimate medical operation (and be enthusiastic to see it); a circus show that advertises freaks being devoured by lions draws a crowd. In the middle of all this, we’re told that the heroes want to put out fires and the villains want to start them, but in the middle of all this, you have to think: The villains have a point. Lots of places end up burning down in this series, and it’s usually an improvement. Even for a show devoted to satire and absurdity, A Series of Unfortunate Events went too far, made too many people too stupid, too many people wicked, too many institutions worthless.

This is a mistake I’ve seen before. It looms particularly large in fantasy. This is partially because fantasy is by nature inclined to stories about saving the world, and such stories magnify the consequences of the error. When the hero saves the world, our sense of victory will be somewhat reduced if we privately feel that his efforts were perhaps wasted. We will still assent to the moral principle that villains ought not to burn down worlds, even if it’s an aesthetic improvement. But the purpose of stories is less to assent to truths and more to feel them.

Another reason the trope of the worthless world especially afflicts fantasy is that the most common inspiration for fantasy worlds is the Middle Ages. Many people evidently believe that the Middle Ages occurred before the invention of bright colors and were essentially the Black Plague interspersed with crusades. Such inspiration can curiously combine a lack of physical beauty (all the gray! brown! black! dirt and decay!) with a lack of moral beauty (oppression! corruption! superstition! ignorance! violence! everywhere!). When stories take us into such worlds, the stay is unpleasant. I think authors forget what a demoralizing effect the bleakness of their worlds has over their stories. Even genuine heroes can’t always counterbalance it.

Curiously enough, the cynicism of the worthless-world stories doesn’t always seem intended. In these stories, the heroes are truly heroic and a sense of morality prevails. But it’s not enough to have heroes who save the world. We need a world worth saving, too.

Help Wanted, Again

Help Wanted
Up-and-Coming Hero Seeks Wise Old Mentor

Qualifications: Applicants must have broad experience and knowledge, particularly of the Evil that threatens all our lives. Persistence, commitment, and keen perception skills required.

Applicants must be wise, learned in arcane yet extremely relevant knowledge, and have a store of aphorisms – or else be able to come up with apt aphorism-like remarks on the spot. Preference given to those who know something vital about me that I do not yet know myself; also to those who can predict the future.

All applicants are required to have outstanding teaching skills, including outside the traditional classroom environment. Sinister yet compelling warnings, ambush tests, and on-the-job training all desired. Teaching methods that involve physical pain and mortal danger to the student are also acceptable. I am, after all, an up-and-coming hero.

Applicants must be willing and able to guide me onto the path of my True Destiny, even if I initially resist.

Applicants must be older than I am.

All applicants must understand that they will eventually have to absent themselves so that I may experience horrible dangers with no way out, and so come into my own and be truly heroic. Death, though the normal method of leaving, is not required. Any way that upholds the applicant’s status as Mentor, and my status as Hero, is permissible.

Benefits: Being a Wise Mentor.

To Apply: No application necessary. Interviews, furthermore, will not be held, because any Wise Mentor who would submit to being interviewed by an up-and-coming hero is obviously in need of mentoring himself. If interested in the position, simply find me and try to claim it. Preference goes to those who initiate the meeting by rescuing me from certain death, who reveal various dark secrets, or who carry or bestow an item of obvious mythical quality, such as a light-sword, a wizard’s staff, or any kind of magic jewelry.